MR_2_GOOD said:HI PEOPLE..............REFERRING TO JANAN SAWA BEING A LEGEND..................................THERE'S NOBODY IN THE CHALDO/ASSYIO COMMUNITY THAT LOVES JANAN SAWA MORE THAN I DO.........................BUT I THINK THAT REFERRING HIM AS A LEGEND OR ANYTHING IN THAT SECTION IS BEING TOO MUCH WE CANNOT REFFER A SINGER AS A LEGEND..................................A LEGEND IS SOMEONE HAS DONE THINGS OR DID THINGS THAT MADE HIM/HER A LEGEND BUT JANAN SAWA IS SURELY NOT A LEGEND BUT HE IS ONE OF THE BIG STAR IN OUR COMMUNITY AND I THINK HE WILL ALWAYS REMAIN THAT WAY AND ALSO FOR OTHER STARS THAT WE HAVE...........
TORONTO, CANADA
harpband2002 said:to answer ur question Ashoor. janan sawa is NOT a legend, and niether any of our assyrian singers...to be a legend the singer should know the SCALES, NOTES and should be able to play an instrument and should be able to sing all kinna styles out there. Ashur sargis plays guitar, but he only sings one specific style. he can not sing our traditional style which is BAYAT (the musicians here know what im talking about). and someone said that janan sawa copies kordish and turkish. well evan aggasi copies PERSIAN, SARGON GABRIEL copies turish too. i know cause im a musician myself.
so therefore, none of our assyrian singers r legends, they are all entertainers with different styles...
Very well said.Sam CA said:No he's NOT a legend... Not even close to be anywhere in that category. I totally agree that he has a place and purpose...You wouldn't want to play Ashur's songs in a wedding. I mean you could but eventually you want that sheikhani and khiga and so on and so forth. Janan serves that purpose very well. All I hear is zourna/Turkish/Arabic strings without much creativity. He's no inspiration to me at all. How many songs does he have that can actually be arranged and played with a real orchestra?
If you disagree, please do post his best 5 songs. I would love to check out their melodic and harmonic content.
Ashur IS a LEGEND indeed! This man has real musical content for sure.
Neon said:... Zerineh from his 1987 album....
It does use a looped chord progression. But I gotta that its chords are really interesting, reminiscent of the Dorian mode. The song continuously alters between D major chord and D minor at the beginning of its verses (common in Assyrian music for some reason, simultaneously altering the minor fourth chord to a major chord), where it then ultimately goes back to the root key of A minor. It's like Dorian mode with added "colour" (since A Dorian doesn't have an F major chord).Sam CA said:Just checked it out:
http://www.youtube.com/watch?v=iVblv11e8pY
Yep! Basically a kurdish song. The main melody is 8 bars long and gets repeated over and over for like 5 minutes. Entire song comes down to this: 0:36 - 0:48
It's probably a fun folk song so obviously you don't expect an extensive melody from the original idea....but that's exactly when artistry and musicianship comes in. It's what you can do with that melody.
I don't really see a difference between his party songs and album recordings. I'm not trying to offend anyone though...Just thinking out loud.
Cascade said:I gotta say that I do like Min Pumakh, Min Pumy by Janan Sawa.
It doesn't sound Kurdish at all. It sounds more Assyrian with a bit of western. His best song.
http://www.youtube.com/watch?v=JIt0g993cCY